Revisiting Will James' Spirit
/Western Art & Architecture | August/September 2024
By Todd Wilkinson
What is the true West, and why does our search for an answer matter today?
Will James straddled a fine line between real and imaginary, fact and fiction, the mythological and genuine article. He traversed, as an artistic underdog, the boundary between invention and reinvention, often being on the move to stay ahead of the past.
According to Bill Rey, owner and partner of Claggett/Rey Gallery in Edwards, Colorado, James represented a version of the American West that millions still want to believe in. Earlier generations escaped into James’ world on every page he ever wrote, on matinee screens where his storylines represented an escape, and in every nuanced outline of a horse that inhabited his memory — gestural forms he mastered as well as anyone else, including better-known giants of Western art — because he drew from the heart.
In August at Claggett/Rey Gallery, something of a Will James revival is being staged. Entitled Cowboys North and South, the show — which will be up the entire month — commemorates the 100th anniversary publishing of a James’ book by the same name. Pure and mischievous in its intent, the happening brings together an enigmatic assemblage of fine art created not only by James [1892–1942] but inspired by him. Painters and sculptors past and present, photographers, poets, makers of fine Western jewelry and textiles will all have works represented. At least 100 objects will be in the show. It is Rey’s way of paying homage to what he calls “the unifying presence James had at a crucial time in our country’s history.” That’s not dissimilar, he says, to where we find ourselves now. “I believe art that reminds us of where we’ve been can serve as a compass for reaching the better place we’re heading.”
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